O god save all
the many gendered-mothers of my heart, & all the other mothers, who do not
need god or savior,
our hearts
persist in excess of the justice they’re refused.
Dana
Ward, “A Kentucky of Mothers”
many
gendered mothers is a project on literary influence
featuring short essays by writers (of any/all genders) on the women, femme,
trans, and non-binary writers who have influenced them, as a direct or indirect
literary forebear.
This project is directly inspired by the American
website Literary Mothers (http://literarymothers-blog.tumblr.com/),
created by editor Nadxieli Nieto and managing editor Nina Puro. While we hope
that Literary Mothers might eventually return to posting new pieces, this site
was created as an extension and furthering of their project (in homage, if you
will), and not meant as any kind of replacement.
Basically: which female ,femme, trans or non-binary
writer(s) made you feel like there was room in the world for you and your
artistic temperament, or opened up your understanding of what was possible,
either as a writer or a human or both? Perhaps you were closely mentored by a particular
writer or editor, or perhaps their work was highly influential, even if not in
the most obvious ways.
While submissions by men are highly encouraged, the
argument that male literary influence has been long explored in print and
online is a reasonable one. This isn’t an argument for levelling the field but,
instead, expanding it.
We are currently accepting short essays of 500-1000
words as a .doc or .docx file, with “many gendered mothers” in subject line.
Please include: “Your Name” on “Author Name(s),” subtitle (optional) and a
short bio for yourself, as well as a .jpg image of your subject (if possible).
And: multiple submissions are encouraged! Simply because you’ve already had a
piece accepted for the site doesn’t mean you still can’t submit something
further down the road.
We are able to offer a small bit of financial compensation for essays, thanks in part to generous donations via our Patreon page.
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