O god save all the many gendered-mothers of my heart, & all the other mothers, who do not need god or savior,
our hearts persist in excess of the justice they’re refused.
Dana Ward, “A Kentucky of Mothers”
many gendered mothers is a project on literary influence featuring short essays by writers (of any/all genders) on the women, femme, trans, and non-binary writers who have influenced them, as a direct or indirect literary forebear.
This project is directly inspired by the American website Literary Mothers (http://literarymothers-blog.tumblr.com/), created by editor Nadxieli Nieto and managing editor Nina Puro. While we hope that Literary Mothers might eventually return to posting new pieces, this site was created as an extension and furthering of their project (in homage, if you will), and not meant as any kind of replacement.
Basically: which female ,femme, trans or non-binary writer(s) made you feel like there was room in the world for you and your artistic temperament, or opened up your understanding of what was possible, either as a writer or a human or both? Perhaps you were closely mentored by a particular writer or editor, or perhaps their work was highly influential, even if not in the most obvious ways.
While submissions by men are highly encouraged, the argument that male literary influence has been long explored in print and online is a reasonable one. This isn’t an argument for levelling the field but, instead, expanding it.
We are currently accepting short essays of 500-1000 words as a .doc or .docx file, with “many gendered mothers” in subject line. Please include: “Your Name” on “Author Name(s),” subtitle (optional) and a short bio for yourself, as well as a .jpg image of your subject (if possible). And: multiple submissions are encouraged! Simply because you’ve already had a piece accepted for the site doesn’t mean you still can’t submit something further down the road.
We are able to offer a small bit of financial compensation for essays, thanks in part to generous donations via our Patreon page.